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HAML syntax highlighting in Gedit

Working with Ruby On Rails I've had to write code using HAML . I do not particularly like very much (among other things it does not support multiline correct identity because no plain text strings, because it adds another layer of interpretation, application, etc) but when it comes to use it is good to do with good support. And when I say support I mean the syntax highlighting. To write code

usually use a text editor (Gedit or Geany), so in this recipe will explain how to add support for syntax highlighting in Gedit.

First add support for the commonly used extensions are recognized Rails by the system. Open a terminal and type: wget

  http://dl.dropbox.com/u/16349833/rails.xml 
 rails.xml sudo cp / usr / share / mime / packages / sudo update-
 rails.xml mime-database / usr / share / mime  

Then add the syntax definition files in the folder sourceview GTK running: wget

  http://dl.dropbox.com/u/16349833/gedit_rails_syntax. gedit_rails_syntax.zip 
 sudo unzip zip-d / usr/share/gtksourceview-2.0/language-specs 

Now with our favorite text editor (as root) open the file / usr/share/gtksourceview-2.0 / language-specs/ruby.lang Sourceview to modify the GTK and add support for new extensions. We look for the line:

   *. rb  

And change it to:

   *. rb, *. rake; *. RJS  

Finally, open the file / usr / share/gtksourceview-2.0/language-specs/html.lang and look for the line that says:

   *.. html, *. htm  

And change it to:

   * . html, *. htm, *. erb; *. RHTML  

close all instances of Gedit and open again and our code HAML should be highlighted.

recipes
There a number of plugins installed (with support for haml, RJS, etc) and you leave the Gedit as TextMate, but I do not like TextMate and then I'd rather do a duckling xD I hope

the recipe has been helpful to them.

References:
http://groups.google.com/group/haml/browse_thread/thread/6c8babd81a46b6b8/b5100d80d9182c71?pli=1
http://blog.adsdevshop.com/2008/04/19/ erb-syntax-highlighting-in-gedit /

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IGGY POP THE NIGHT OF THE IGUANA (FRAGMENT OF REPORT)

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"The iguana is a lizard, measuring about eighteen inches to three feet long, and Mexicans consider it edible. Do not always eat right after hunted for, as are creatures capable of surviving for some time without eat or drink, often kept in captivity for some time before being killed. A Miss. Jelkes had told him that knew better than chicken, a view attributed to the characteristic way of disguising Mexican food unappetizing. What bothered her the iguana was the inhumane manner in which she was treated during the period of captivity. He had seen next to the huts of the peasants, usually tied to a pole near the entrance, and the claws dug continuously, even without any hope, within the perimeter of the reach of the rope while naked children squatting to put around by sticking sticks in the eyes and mouth. "

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TEXT: TENNESSEE WILLIAMS

PHOTOGRAPHY: Sebastiao Salgado, Marine Iguana

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ELIZABETH TAYLOR VISITS PUERTO VALLARTA, FEB 1963. PHOTO: PETE TURNER

On the day of his birthday, we wish him a speedy recovery.

CONGRATULATIONS!

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IN THE SET OF THE IGUANA / ELIZABETH TAYLOR

"Burton was accompanied by Liz, we all knew married to Eddie Fisher. And Michael Wilding, her ex-husband, came to handle advertising for Burton. Peter Viertel, the Deborah's husband, who accompanied her, had ever had a public affair with Ava Gardner, who arrived with two assistants, two gigolos who followed always, wherever she went, they were. Sue Lyon was jealously guarded by her boyfriend and her mother. We made many assumptions about what would happen to whom and when. In the excitement, I bought five guns miniature gold, which solemnly gave to Richard, Liz, Deborah, Ava and Sue each had four golden bullets inscribed with the names of the other four actors (...) I do not think that another of my work has aroused much interest. I think everyone expected that when pistols were used. Nobody did and everything went perfectly. "

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Text: extracted from Waldemar Verdugo Fuentes interview with John Huston. To read it in its entirety click here.

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○ ○ ○ ○ ○

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(Elizabeth Taylor on the set of filming the movie. The actress who remains hospitalized at Cedars-Sinai in Los Angeles next 79 years will meet Feb. 27)

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DOSSIER ROBERT CAPA: Beat the Devil

Layer and Huston had met in 1944 in Naples, and they liked it immediately. After the war, Capa made many publicity stills for films of John Huston, included Beat the Devil starring Humphrey Bogart, Gina Lollobrigida, Peter Lorre and Robert Morley. In March 1953, Capa spent three weeks in Ravello and Amalfi photographing the production of that film. The novelist Truman Capote Huston helped write the script during filming. Capote Layer and lost so much money playing poker Huston later wrote: 'His work in the movie came out very cheap, because they always recuperated all the wages we paid. "

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Text: RICHARD WHELAN

Photo: ROBERT CAPA

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Humphrey Bogart and John Huston to see the coronation of Queen Elizabeth II. In April the company moved to England to shoot interiors at Shepperton Studios. ○

Truman Capote with English bulldog puppy gave Jack Clayton, co-producer of the film to show affection for the company.

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JOHN DONNE (1572-1631)

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No man is an island,

Entire of itself.

Each is a piece of the continent,

A part of the main.

If a clod be washed away by the sea,

Europe is the less.

As well as if a promontory were.

As well as if a manor of thy friends

Or of thine own were.

Each man's death diminishes me,

For I am involved in mankind.

Therefore, send not to know

For whom the bell tolls,

It tolls for thee.

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(JOHN DONNE, Meditation XVII,

Devotions Upon Emergent Occasions and Death's Duel )

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DOSSIER ROBERT CAPA: FOR WHOM THE BELL TOLLS?

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Tras conocer a Ernest Hemingway en Madrid en marzo de 1937, Capa 'Adopted him as father. " The novelist was working on a film called The English Earth on civil war. Was very impressed with the photos of Capa and based the description of the events of his novel For Whom the Bell Tolls in covering layer of the failed Republican offensive Navacerrada pass near Segovia, in May 1937. They met again in Valencia in December of that year, including trips to cover the Battle of Teruel. In late 1938, Capa spent time in Barcelona with Hemingway and his bride, Martha Gellhorn, also a journalist. Gellhorn Hemingway stayed when he returned home, and she and Capa became good friends.

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TEXT: RICHARD WHELAN.

IMAGE ADAPTATION POSTER JAPANESE FILM DIRECTED BY SAM WOOD.

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SEEN BY GARY COOPER ORSON WELLES

ORSON WELLES: _Hay film actors. Gary Cooper was a movie actor, the classic example. He is working on a set and think, 'Oh dear, will have to re-shoot that scene! ". Hardly seemed to be there. Then he sees the scene and the actor occupies the entire screen.

Peter Bogdanovich: _ How do you explain?

ORSON WELLES: _Personalidad. I will not presume to explain that mystery. It's always something more important than technique. Is there someone who knows more about technical Olivier? If acting on stage depended significantly on camera technique, Larry had become master of film interpretation, but it is not. While he has done some good movies in the cinema never went from being a shadow of that electrifying presence commanded the stage. Why dwarfed camera Laurence Olivier? Why magnifying Gary Cooper? Is there anyone who knows anything about the technique before the camera?

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(Olivier dwarfed by the camera)

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DOSSIER ROBERT CAPA: GARY COOPER

G Cooper ary crossing the river DURING a hunting trip with Ernest Hemingway,

Sun Valley, Idaho (1941)

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DEDICATED: A SUSAN LENOX