Wednesday, February 9, 2011

2010 Flu Vaccine Nauseousness

DOSSIER ROBERT CAPA: FOR WHOM THE BELL TOLLS?

.

Tras conocer a Ernest Hemingway en Madrid en marzo de 1937, Capa 'Adopted him as father. " The novelist was working on a film called The English Earth on civil war. Was very impressed with the photos of Capa and based the description of the events of his novel For Whom the Bell Tolls in covering layer of the failed Republican offensive Navacerrada pass near Segovia, in May 1937. They met again in Valencia in December of that year, including trips to cover the Battle of Teruel. In late 1938, Capa spent time in Barcelona with Hemingway and his bride, Martha Gellhorn, also a journalist. Gellhorn Hemingway stayed when he returned home, and she and Capa became good friends.

.
.
TEXT: RICHARD WHELAN.
IMAGE ADAPTATION POSTER JAPANESE FILM DIRECTED BY SAM WOOD.

Monday, February 7, 2011

I Used To Have Yellow Eyes

SEEN BY GARY COOPER ORSON WELLES

ORSON WELLES: _Hay film actors. Gary Cooper was a movie actor, the classic example. He is working on a set and think, 'Oh dear, will have to re-shoot that scene! ". Hardly seemed to be there. Then he sees the scene and the actor occupies the entire screen.
Peter Bogdanovich: _ How do you explain?
ORSON WELLES: _Personalidad. I will not presume to explain that mystery. It's always something more important than technique. Is there someone who knows more about technical Olivier? If acting on stage depended significantly on camera technique, Larry had become master of film interpretation, but it is not. While he has done some good movies in the cinema never went from being a shadow of that electrifying presence commanded the stage. Why dwarfed camera Laurence Olivier? Why magnifying Gary Cooper? Is there anyone who knows anything about the technique before the camera?
.
(Olivier dwarfed by the camera)

Thursday, February 3, 2011

Mature Girdles Stockings

DOSSIER ROBERT CAPA: GARY COOPER

G Cooper ary crossing the river DURING a hunting trip with Ernest Hemingway,
Sun Valley, Idaho (1941)

.

.

DEDICATED: A SUSAN LENOX